Intergenerational transmission of adungu (bow-harp) musical knowledge in Bweyale-Karuma, Uganda: a phenomenological study of indigenous pedagogy, embodied learning, and decolonial praxis

dc.contributor.authorBusobozi, Nicholas
dc.contributor.authorEkadu,Peter Ereu
dc.date.accessioned2026-06-15T10:06:05Z
dc.date.available2026-06-15T10:06:05Z
dc.date.issued2026-05-31
dc.description14 p.
dc.description.abstractThe Adungu, a multi-stringed arched bow-harp indigenous to the Alur and Lugbara communities of north-western Uganda, represents one of East Africa’s most architecturally sophisticated traditional instruments. Despite its ceremonial significance and growing presence in formal music education contexts, the pedagogical mechanisms through which Adungu musical knowledge is transmitted across generations remain substantially undocumented in scholarly literature. This qualitative phenomenological study investigates how master Adungu players in Bweyale-Karuma a multi-ethnic community in Kiryandongo District renowned across Bunyoro Kitara Kingdom for producing the finest Adungu instruments and most accomplished players transmit complex musical, cultural, and embodied knowledge to apprentices. Drawing on six months of intensive fieldwork (February–July 2025), the study employed Interpretive Phenomenological Analysis (IPA) to generate rich, experience-near accounts from eighteen participants: six master players, nine apprentices at varying stages of learning, and three cultural leaders. Data were generated through semistructured interviews, participant observation across rehearsal and ceremonial performance contexts, and audio-visual documentation of teaching interactions. Thematic analysis following Braun and Clarke’s (2006) six-phase framework revealed seven interconnected transmission mechanisms: graduated tonal scaffolding, ensemble interdependence, embodied string memory, improvisation within communal constraints, master-apprentice mentorship, contextual performance immersion, and cultural narrative integration. These mechanisms constitute a sophisticated distributed pedagogical system that challenges deficit assumptions about oral, non-notational music education and offers critical insights for decolonial music education theory and Uganda’s Competency-Based Curriculum reform.
dc.identifier.citationBusobozi, N., & Ekadu, P.E. (2026). Intergenerational Transmission of Adungu (Bow-Harp) Musical Knowledge in Bweyale-Karuma, Uganda: A Phenomenological Study of Indigenous Pedagogy, Embodied Learning, and Decolonial Praxis. European Journal of Contemporary Education and E-Learning, 4(3), 145-158. DOI: 10.59324/ejceel.2026.4(3).11
dc.identifier.urihttps://doi.org/10.59324/ejceel.2026.4(3).11
dc.identifier.urihttps://hdl.handle.net/20.500.12504/2946
dc.language.isoen
dc.publisherEuropean Journal of Contemporary Education and ELearning
dc.subjectDungu pedagogy
dc.subjectIndigenous music transmission
dc.subjectEmbodied learning
dc.subjectDecolonial education
dc.subjectCompetency-Based Curriculum
dc.titleIntergenerational transmission of adungu (bow-harp) musical knowledge in Bweyale-Karuma, Uganda: a phenomenological study of indigenous pedagogy, embodied learning, and decolonial praxis
dc.typeArticle

Files

Original bundle

Now showing 1 - 1 of 1
No Thumbnail Available
Name:
BUSOBOZI NICHOLAS MAY 2026.pdf
Size:
492.61 KB
Format:
Adobe Portable Document Format

License bundle

Now showing 1 - 1 of 1
No Thumbnail Available
Name:
license.txt
Size:
1.71 KB
Format:
Item-specific license agreed upon to submission
Description:

Collections